Top Up Listening | Title: | Top Up Listening 1, 2
and 3 | | Author: | Chris Cleary, Bill
Holden, Terry Cooney | |
Publisher: | Abax | | Reviewed by: | Alex Case | | Review date: | November 2005 | | Over my teaching career, I
think the one skill my students have said they wanted to improve more than any
other is listening. Maybe that is because nationalities I've spent a lot of
time teaching, such as Spanish and Japanese, have little access to English
speech on the TV etc. and education systems that concentrate on grammar and
reading. For almost anyone, though (and certainly for me learning foreign
languages) understanding fluent speech by native speakers is the ultimate
challenge - and how much I can understand of a dubbed version of the Simpsons
TV show is how I judge my level more than anything else. Too often, the
textbooks and self-study material on the market do little to help with these
ambitions. I was therefore intrigued to see three levels of listening texts
that have the size and chapter titles of textbooks - by their thickness at
least it certainly looks like the publishers of these books are taking
listening seriously! Top Up Listening 1 is aimed at lower Elementary students
and starts with topics like 'Nice to Meet You!' and 'Do You Have a
Reservation?'. 250 pages later at the end of Top Up Listening 3 we are up to
Pre-Intermediate level and topics like 'Boyfriends and Girlfriends' and 'Things
Have Changed'. Just that little list should point out a couple of unusual
points here - there is a level spanning Elementary and Pre-Int, and all the
listening texts are based on conversations rather than radio programs,
presentations etc. This biggest difference between these books and equivalent
textbooks and listening skills books is also to be found on the Contents Page -
every unit has a very precise listening focus, and most of these would seem to
be more at home in a pronunciation book. Examples include Lost and Joined
Sounds, Stressing Important Information, Intonation: Finished or Not Finished,
Stress and Certainty, Helping Sounds, and Weak Vowels. Each unit starts with
some kind of vocabulary and/or speaking work to introduce the topic, has a
variety of tasks to do while listening to the conversations a couple of times
(e.g. identify the correct picture, tick things that are mentioned), a couple
of Listening Clinics on the language focus with a chance to listen to the text
again, a speaking task to practise the topic and language point(s), and finally
tips for more self-study. Each book also contains the tapescripts, word lists,
CD and an introduction explaining the jargon etc. and how to use the book. The most important question, of course, is whether breaking the
language down into individual points of pronunciation of natural speech helped
my students to understand what they were listening to. Well, when they listened
again between examining the Listening Clinic points they certainly understood
more than when they listened to it before, and they found this very motivating.
Partly this could be put down to the fact that they were listening again after
their brains had had a chance to subconsciously digest what they had been
listening to, and stopping for a cup of tea probably would have had at least
50% of the effect. The other 50%, however, as well as the boost students get by
realising listening is something they can study and improve rather than just
passively waiting to get easier, makes this language well worth looking at.
From my own experience as a teacher and learner, I am also
convinced that examining the way people speak has more benefits than just lots
of listening over the long term - although I must admit I have no data to back
me up! I must also admit that I have taken the ideas I have learned from this
book and adapted them to my textbook listening texts and my own voice rather
than continuing to use these Top Up Listening books day-to-day in the
classroom. This is partly because the topics and texts are not the most
interesting for my students, especially with the very limited range of genres
available and the fact the texts are all scripted (if natural sounding), and
partly due to restrictions on our classroom time. This means I want
non-textbook material to focus more on fun and free speaking than more language
presentations - even if on different language points to those in the textbook.
These books did, however, provide a great impetus and training course for me
and the students to work on listening in a much more systematic way than before
- and I would recommend every teacher to try them out. They would also be good
for a Self-Access/Multimedia Centre or for self-study for a very motivated
student. Alex Case has
worked as an EFL Teacher, Teacher Trainer, Director of Studies and EFL Editor
in Turkey, Thailand, Spain, Greece, the UK and Japan. Alex Case is Reviews
Editor of TEFL Net. |