Humanising Your Coursebook
| Title: |
Humanising Your
Coursebook |
| Author: |
Mario Rinvolucri |
|
Publisher: |
English Teaching
Professional/DELTA Publishing |
| Consists of: |
Teacher Resource
Book |
| Summary: |
"something completely
different" |
| Reviewed by: |
Alex Case |
| Review date: |
June 2002 |
|
This book aims to help you "extend, enliven and enrich
your coursebook" by offering 95 activities organised into "Ice Breakers and
Warm Up Activities", "Grammar", "Vocabulary", "Reading", "Writing",
"Listening", "Speaking" and "Looking Backwards and Forwards (in the book)".
It's especially designed for people who are repeating the same textbook, and
need to vary it a bit for their own sanity. What makes it different from other
supplementary teaching books is where its ideas come fromthey are all
influenced by a "humanistic" approach to English teaching. This basically boils
down to treating your students as individuals rather than "the class". This aim
is difficult to argue with, of course, but the origins of the approach can make
some people wary of a "touchy feely" approach, sometimes claiming a "humanistic
class" can be more like a therapy session than a traditional language class.
The author, Mario Rinvolucri, has long been one of the most famous exponents of
this approach, and some of his ideas (such as drawing around your partner's
foot, in this book) are somewhat responsible for the idea people have of
"humanistic" teaching. However, the way he has linked his humanistic principles
into areas as diverse as letter writing and dictation over the years has
provided other people with a perfect opportunity to explore this area more
fully. In this book, he has also used ideas from the more recent (and
scientific sounding) areas of Multiple Intelligences (the idea that people
think best in entirely different ways to each other, and a way of classifying
people into intelligence types) and Neuro-Linguistic Programming (a way of
helping yourself change the way you think, recently very popular). For
me the best thing about the book was how quick and easy it was to use. If you
are sitting there 10 minutes before a lesson with a full lesson plan but a
sinking feeling about doing the same old thing, you can (as the book suggests)
simply reach for your copy and find an idea for your class. As most activities
require little preparation, you could well be able to try that new thing out in
that class at 9 oclock. Ideas I used in exactly this way included
"Filling a foot" (the idea I mentioned above, but I got them to draw around
their own hands instead) and "Who are you?" from the icebreakers section. The
other sections such as "Grammar" were just as quick to refer to, but I found it
more useful to look at them when I already had a lesson plan but needed a
little "spice", than when I was looking for something to base a lesson round.
This was partly because I wasn't brave enough to try some of the activities
(e.g. the meditation-like "Breathing Sentences Out") and partly because there
was obviously only room in the book for one activity for each language point,
some of which weren't entirely new (e.g. Dictogloss).
If you use
activities from this book, you are almost certain to add something different to
your classes. I'm not really a "touchy-feely" kind of person, so I wanted to
try some of these as a personal challenge and to expand my range, and because
after 7 years of teaching I could certainly do with a change! This book has
helped me to experiment a bit more over the last couple of weeks, and if you or
your students need exactly that I'd recommend this book for you. Alex Case has worked as an EFL
Teacher, Teacher Trainer, Director of Studies and EFL Editor in Turkey,
Thailand, Spain, Greece, the UK and Japan. Alex Case is Reviews Editor of
TEFL.net. |